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also know as MPEG, the Moving Picture Experts Group.

The MPEG acronym is also used to indicate a suite of

ISO/IEC digital media standards developed by this JTC 1 Working Group.

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The Moving Picture Experts Group

Systems

Standard: 
Part number: 
1
Activity status: 
Closed

MPEG-1 Systems

 

MPEG doc#: N7677
Date: October 2005
Author: Peter Schirling

Multiplexing and Synchronisation

Introduction

MPEG-1 [1] and MPEG-2 [2] are unique points in history for digital media as each represents a first of a kind. This brief paper will describe MPEG-1 Systems. The description of MPEG-2 Systems is provided in a separate brief.

The systems layers of each of these international standards are also unique in many ways. What they have in common is that the systems layer provides the information about the audio and video layers with stream identification and synchronization information essential to the decoding and subsequent rendering for each of them. The audio and video are bounded while the systems layer is viewed as an unbounded element and can, therefore, be a very complex environment. The systems layer is required to carry not only the multiplexed audio and video information but all of the other non-audio/video information, and in many cases private, data needed for a successful and pleasing user experience.

Background: application interoperability

When MPEG-1 video and audio were being developed it was recognized that if they were going to be rendered synchronously there needed to be a means to accomplish that. This problem had never been tackled before because audio and video in the compressed digital domain had never existed together before. As you will see below in the brief description of the MPEG Systems layer design the solution is a unique multiplex designed to precisely deliver a clock reference and elementary streams in such a way as to enable audio‑video synchronization.

MPEG-1 is intended for use in relatively error free environment of CD’s or optical discs.

MPEG Systems design

The design principal behind both MPEG-1 Systems is based on an on-time, error free delivery of a stream of bytes. The time interval (bit rate) between a byte leaving the transmitter is the same as the time interval at its arrival at the receiver. By maintaining this constant delay it is possible to imbed a clock in the byte stream that can be used by the receiver to control a clock reference in the receiver. This clock can then be used to pace the decoding of the audio-video information keeping them in sync. As a part of this timing model all audio and video samples are intended to be presented once unless specified otherwise.

Unlike today’s Internet environment where audio and video can be delivered separately using different sockets, the optical disc environment is defined to use a single stream (in-band) of information (bytes) over which both audio and video (and all other information) are delivered. Further constraints are present because optical disks (CD or DVD) are constant speed devices while audio or video information may be variable rate.

The MPEG-1 SYSMUX, as it is called contains bitrate information in order to restore the bitrate intended when the content was encoded (compressed).

The most important innovation introduced by MPEG-1 and carried over and extended into MPEG-2 Systems is the specification of a System Target Decoder (STD) model. The STD is an idealized model of a demultiplexing and decoding complex that precisely specifies the delivery time of each byte in an MPEG Systems multiplex and its distribution to the appropriate decoder or resource in the complex.  

Figure 1 - MPEG-2 System Target Decoder

The STD is a buffer model and is normative. Thus it is used by implementers to verify that their implementation of the normative elements of the standard function correctly. The syntax of stream decoding is the other element that needs to be verified for correctness using the text of the standard. The clock recovery and buffer management are critical to the proper operation of a demultiplexing and decoding complex. The consequences of improper clock are recovery manifest themselves in noticeable audio and video faults such as sound glitches and picture artifacts or frozen frames. The causes of flawed or failed clock recovery are many and varied. The net is that audio and video decode run too fast or too slow and both sync and quality are effected because the buffers that hold the compressed data stream either empty (too fast a pace) or overflow (too slow pacing).

SYNCHRONIZATION

The figure (2) below shows a prototypical end-to-end system that compresses separate audio and video streams and then multiplexes them into an MPEG-1 SYSMUX. A critical task that is performed when encoding a stream is the sampling and insertion of a clock reference carried with the elementary streams and a system clock reference for the multiplex carried in the pack header.  The system time clock used in the encoding stage is a very stable and accurate 90kHz clock. It produces clock values or time stamps associated with the access units of the elementary streams (audio and video). This PTS (Presentation Timestamp), as it is called, is a reference clock value inserted at encode time into the headers of the data stream at intervals not to exceed 700ms (normative requirement). The sample rates for audio compression differ from video compression so the values associated with the PTS are not the same, but that does not matter nor is it necessary. The clock values carried with the A-V data are only used for comparison with a value of the system time clock (SCR) as the means of assuring A-V Sync.  If the decoder clock reference (STC) drifts then a phase lock loop with alter its frequency to bring it back in sync with the encoder clock rate. This is the way the clock in the decoding complex keeps exactly the same clock rate as the system clock used in the encoding complex that prepared the stream. Doing so allows the PTS values carried with the audio-video data to be used to compare with the decoder’s system clock reference. If the PTS values become separated in time too far that means that the pace of decoding is faster or slower than intended. That is corrected by either dropping or freezing (repeating) a frame of audio or video in order to bring them both back into sync.  It is a simple but elegant means of having an end-to-end clock in a network in which one is not inherently present unlike the internet.

Figure 2 - Prototypical complex illustrating how synchronization is achieved

MPEG-1 SYSMUX and MPEG-2 Program Stream can only transport a single Program. A Program is define as all information (audio, video, data etc) having a common clock reference. Each Program, however, is capable of multiple audio and video elementary streams.

MULTIPLEXING

An MPEG-1 SYSMUX is a single in-band stream of bytes that contains all of the audio, video, and other information needed in order to decode and then render the content in simultaneously and in sync.  This is accomplished by multiplexing the compressed data in such a way as to ensure that the bitrate of the audio and video elementary streams is properly maintained at the input to the decoders for each.  In a Video CD application this can be more complicated because the media information is also part of the retrieved data but is removed before the SYSMUX is sent to the MPEG demultiplexor. In the case of MPEG-1 the maximum aggregated bitrate for the multiplex, that guarantees interoperability, is 1.5 Megabits per second. This conformance point was establish to guarantee interoperability and also reflects the constraints of the CD data delivery rate. As more non-audio/video data is added to the multiplex the bitrate of either or both the audio and video need to be reduced in order to maintain the conformance point of 1.5 mb/s for the multiplex.

Target applications

MPEG-1 – Video CD, MP3, stereo audio for set top boxes

References

[1] ISO/IEC 11172-1 Coding of moving pictures and associated audio for digital storage media at up to about 1,5 Mbit/s: Part 1 Systems

[2] ITU-T Rec. H.222.0 | ISO/IEC 13818-1:2000 Generic coding of moving pictures and associated audio information, Part 1: Systems