INTERNATIONAL ORGANISATION FOR STANDARDISATION
ORGANISATION INTERNATIONALE DE NORMALISATION
ISO/IEC JTC 1/SC 29/WG 11
CODING OF MOVING PICTURES AND AUDIO
ISO/IEC JTC 1/SC 29/WG 11 N10523
April 2009
| Source: | Leonardo Chiariglione - Convenor |
| Title: | 89th WG11 meeting notice |
The 89th MPEG Meeting will take place from 29th June to 3rd July 2009 at Queen Mary University of London.
Please find additional information here
Note that
| ITEM | No. | Title |
| 10565 | AVC Development | |
| 10533 | 3DGC documents, software maintenance and core experiments | |
| 10533 | 3DGC documents, software maintenance and core experiments | |
| 8.1.7 Open Font Format | 10678 | Font Format Representation |
| 10561 | Reconfigurable Video Coding | |
| 10561 | Reconfigurable Video Coding | |
| 10668 | SAOC, USAC and MetaData | |
| 10668 | SAOC, USAC and MetaData | |
| 10681 | MPEG-V | |
| 10563 | 3D Video Coding | |
| 10564 | High-Performance Video Coding | |
| 10675 |
Scene Representation |
|
|
8.2.3 Presentation and Modification of Structured Information |
10675 |
Scene Representation |
| 10675 |
Scene Representation |
|
| 10562 | MPEG-7 Visual | |
| 10668 | SAOC, USAC and MetaData | |
| 10676 | MPEG File Formats | |
| 10676 | MPEG File Formats | |
| 10676 | MPEG File Formats | |
| 10527 | MPEG Modern Transport (MMT) | |
| 10680 | MXM | |
| 10680 | MXM | |
| 10679 | Advanced IPTV Terminal | |
| 10677 | Application Format | |
| 10677 | Application Format | |
| 10680 | MXM | |
| 10680 | MXM | |
| 10680 | MXM | |
| 8.13.2 Video coding standards | 10560 | Maintenance of MPEG-4 Visual related Documents, RefSoft and Conformance |
| 10667 | Audio Standards Maintenance | |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
3 |
1 |
|
The High Definition AAC (HD-AAC) Profile is based on MPEG-4 AAC Low Complexity (AAC-LC) and MPEG-4 Scalable Lossless Coding (SLS). It offers a high quality audio signal representation scalable from AAC-LC quality up to fully lossless quality at up to 96 kHz / 24 bit stereo. The HD-AAC profile is intended to be utilized in home media servers, streaming devices, digital archiving systems, portable media players, gaming consoles, car entertainment systems, consumer software tools, pro audio software tools, etc. In general this profile will be used for PCs as well as for embedded systems based audio applications being limited by CPU power and memory. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
3 |
? |
? |
The AAC profile and HE-AAC v2 profiles have enjoyed widespread adoption by industry, in part because they were deliberately kept simple in order to meet the industry needs and not burden the implementers with features not useful for their application. However, the profiles included support for the 960 transform in addition to the more commonly used 1024 transform. So far, industry has failed to live up to the exact wording of the original specification by only implementing one of the two transform lengths. In fact several application standards limit the profile to one frame length, and do not require support for both. This may have significant impact on interoperability, and this effort seeks a solutions to this dilemma. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
10 |
1 |
|
This amendment will provide 1. A profile that is a common core of cross-application compatibility among decoders supporting the existing high-volume profiles (Baseline and High), reflects some existing industry practice, and improves alignment with some guidelines adopted in important application specifications 2. A profile providing an effective solution to adapt the full set of coding tools of the High profile for stereo-view applications. The number of coded views is limited to two, in order to address the particular class of stereo video applications. Support for interlaced coding tools is included, as these are supported in the High Profile on which the multiview video coding (MVC) extensions are already otherwise based, and as interlaced camera capture remains a common application scenario. The interlaced coding tools included in this profile can be supported easily in implementations based on the existing (single view) High profile. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
16 |
3rd E |
|
This standard contains all the 3D Graphics tools developed by MPEG since 2001. They are classified in representation and compression tools. In the first category there are high order surface representation, subdivision surfaces, implicit equation-based volume representation, shape deformation models. The 3D Graphics compression toolbox handles three types of graphics data: geometry (3D Mesh Compression, Wavelet Subdivision Surface, MeshGrid, FootPrint), appearance (Depth-based Image Representation, PointTexture) and animation (Bone-based Animation, Frame-based Animated Mesh Compression). The standard also defines profiles for using MPEG-4 3D Graphics tools in applications. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
16 |
3 |
|
This standard defines three profiles: one for Graphics dimension (called Basic AFX Graphics), one for Scene Graph dimension (called Basic AFX Scene Graph) and one for compression dimension (called 3D MultiResolution Compression). The combination of the three profiles allows progressive and adaptive transmission over networks of large 3D environments and/or complex 3D shapes. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
16 |
|
|
LC-3DMC aims to provide efficient and low-complexity 3D mesh compression and streaming for downloading 3D vertex positions, normals, texture coordinates, other attributes per vertex, and topology. Low complexity is targeted for both, decoder and encoder. This standard aims to enable real-time applications on devices with low computational and memory capacities (PDA, mobile phones…). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
22 |
1 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
21 |
19 |
1E |
? |
A standard media value chain ontology focusing on the rights management aspects. The standard specifies a core OWL ontology, extensible for specific domains as well as an API to facilitate access to the ontology. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
B |
4 |
|
|
CCR provides a description of media decoder configuration, which contains syntax parsing and decoding process. Now, the design of CCR is mainly done in video coding, but may be applicable to audio and other media coding. Using CCR and a toolbox containing functional units (FUs), a decoding solution may be implemented. CCR may support the toolbox with MPEG tools as well as the toolbox with nonMPEG tools. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
C |
4 |
|
|
1. A repository of video coding tools used in MPEG Video standards 2. The series of MPEG video coding standards with indication of which coding tools defined in 1. they use 3. Combination of tools for existing standards (if applicable) 4. Possible case: intraframe only profile(s) |
|
Std |
Pt |
Amd |
Req |
Short description |
|
D |
1 |
1 |
|
Spatial Audio Object Coding represents several audio objects by first combining the object signals into a mono or stereo signal, whilst extracting parameters from the individual object signals based on knowledge of human perception of the sound stage. These parameters are coded as a low bitrate side-channel that the decoder uses to render an audio scene from the stereo or mono down-mix such that the aspects of the output composition can be decided at the time of decoding. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
D |
3 |
|
|
Unified Speech and Audio Coding is a single, unified coder with performance that equals or surpasses that of dedicated speech coders for speech signals and dedicated music coders for music signals over a broad range of bitrates. It employs time-domain linear prediction and residual coding tools for speech-like signal segments and transform coding tools for music-like signal segments and is able to switch between the tool sets in a dynamic, signal-responsive manner. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
V |
1 |
|
|
This project will provide a standardized framework that enables the interoperability between virtual worlds (as for example IMVU, Google Earth and many others) and the real world (sensors, actuators, social and welfare systems, banking, insurance, travel, real estate and many others). Virtual Worlds are 3D space where people can work, interact, play, travel, learn and augment real life. The broad acceptance of virtual words (social networks, serious games, …) and the relation to the real world (devices and real world networks) brings emerging (business) opportunities and challenges; the resulting interoperability will enable a new and sustainable industry. It is foreseen that this project will enable the start of the next revolution of the internet and related technologies, which will become a major source of information, services, education and entertainment and associated business in the ‘digital society’. Standardization of Sensory Effects information to improve presentation of audiovisual contents. Sensory Effects may include special effects such as opening/closing window curtains for mood changes, turning on a flashbulb for lightning flash effects as well as fragrance, flame, fog, and scare effects made by scent devices, flame-throwers, fog generators, and shaking chairs respectively. This work will lead to the application of new media for enhanced experiences of users in a more realistic sense. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
|
|
|
|
3D video (3DV) supports new types of audio-visual systems that allow users to view videos of the real 3D space from different user viewpoints. In an advanced application of 3DV, denoted as Free-viewpoinT Video (FTV), a user can set the viewpoint to an almost arbitrary location and direction, which can be static, change abruptly, or vary continuously, within the limits that are given by the available camera setup. Similarly, the audio listening point is changed accordingly. The first phase of 3DV development is expected to support advanced 3D displays, where M dense views must be generated from a sparse set of K transmitted views (typically K£3) with associated depth data. The allowable range of view synthesis will be relatively narrow (20 degrees view angle from leftmost to rightmost view). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
|
|
|
|
The overall amount of video data rate that is to be transferred over networks will grow at a very fast pace by the increased number of services and users and the increasing resolution of video from SD to HD and beyond. Therefore, next generation of video compression technology is needed that has clearly higher compression capability than the existing AVC standard in its best configuration, the High Profile. A study has been started on the feasibility of HVC, which is mainly intended for high quality applications, in particular expecting · Performance improvements at higher resolution, · Applicability to entertainment-quality services such as HD mobile, home cinema and UHD TV. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
11 |
|
|
New profile definition for interactive services over digital radio possibly including additional technologies to BIFS and link to LASeR presentation |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
20 |
2 |
10064 |
This amendment provides means to for the adaptation of scene representation considering the terminal. It supports the optimized scene composition regarding each device types and the resource status. The purpose is providing the efficient tool for supporting various sorts of terminals in the network such as IPTV. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
20 |
3 |
|
This specification specifies means to present any Structured Information (any document conforming a given schema such as MPEG-21 DI or TVAnytime) in a consistent manner using Presentation Information (MPEG-4 LASeR.) It also provides a mechanism to reflect the result of the presentation back into the Structured Information. For example, a feature-rich (such as graphical layout of channel information and predefined user interactions) channel guide can be provided using this specification by accessing incoming EPG structured information and presenting declaratively. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
20 |
4 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
3 |
4 |
|
Video signature tools support ultra-fast search for and identification of videos and their modified/edited versions or fragments. They are designed to be robust to a range of deformations, such as coding artifacts, blurring, colour-to-monochrome conversion, trans-coding and and frame-rate change. Applications include: · Video-based content searching and linking, · Database de-duplication and · Content Rights Management and Usage Monitoring. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
8 |
5 |
10160 |
The standard is amended by the extraction and matching methods related to the Image Signature Tools (15938-3/Amd.3). This includes fast, high precision methods as needed for search in extremely large image databases. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
1 |
4 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
? |
? |
|
This effort will explore specification of metadata derived from the audio signal. It is envisioned that such metadata may at least consist of information to control the following three factors (the three "classical" D's): · dialog normalization · dynamic range control · downmix Such Audio metadata permits the receiver to manipulate the received audio signal based on the adjustments performed by the listener. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
1 |
4 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
1 |
4 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
21 |
4 |
1 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
21 |
2 |
1 |
|
This specification standardizes means to present structured information in a MPEG-21 Digital Item by a scene representation language such as MPEG-4 LASeR. An element named as Presentation is added into Digital Item Declaration Model to presents the metadata or other information of its parent Digital Item. Typically the Presentation element is a well-formed XML document (or just a pointer to a remote fragment) which contains the Presentation Information. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
2 |
1 |
4 |
10241 |
Specifies the transport format for ISO/IEC 14496-10:200x/AMD? Multiview Video Coding (MVC) video streams in MPEG-2 Systems. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
12 |
1 |
|
This amendment improves various areas, including metadata support, sample groups, and sample groups, and introduces hint tracks to support MPEG-2 Transport, multimedia internet key (MIKEY) streams, and the recording of streams as hint tracks. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
14 |
1 |
13500 |
Multiple occurrences of “mp4a” tracks in an MP4FF presents problems for many existing implementations, in that it is not clear if such tracks are alternate encodings of a signal (e.g. multiple bitrates) or if one track depends on the other (e.g. one is a “base” AAC stream and the other is an SLS “enhancement” stream). This amendment extends the MP4FF specification to implement new box type “mp4ae” that will be used to indicate that a track is an “audio enhancement” track. Hence, base plus enhancement track structures can be indicated as:
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
15 |
3 |
|
Standardizes means for storing the MVC Video format in the ISO File Format |
|
Std |
Pt |
Amd |
Req |
Short description |
|
? |
? |
? |
? |
In order to overcome current limitations of available standards in the area of media streaming, the development of a media aware client is envisioned in line with the MPEG philosophy of concentrating the work on the media client. Possible topics of work are: · Transport- and file format friendly stream format · Cross layer optimization between video and transport layer · Error resilience for MPEG streams, · Conversion between transport mechanisms · Content adaptation to different networks. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
M |
1 |
|
|
The MPEG Extensible Middleware standard is designed to promote the extended use of digital media content through increased interoperability and accelerated development of components, solutions and applications. The MXM standard will promote the creation of a global market of applications, devices, and MXM components. As a result, we expect that innovative business models will be easily deployed. This part of MXM specifies the MXM architecture and references the technologies that are part of an MXM implementation. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
M |
2 |
|
|
This part of MXM specifies a set of Application Programming Interfaces (APIs) so that MXM Applications executing on an MXM Device can access the standard multimedia technologies contained in its Middleware as MXM Engines, as specified by part 1 of MXM. The APIs belong to two classes — The MXM Engine APIs, i.e. the collection of the individual MXM Engine APIs providing access to a single MPEG technology (e.g. video coding) or to a group of MPEG technologies where this is convenient — The MXM Orchestrator API, i.e. the API of the special MXM Engine that is capable of creating chains of MXM engines to execute a high-level application call such as Play, as opposed to the typically low-level MXM Engine API calls |
|
Std |
Pt |
Amd |
Req |
Short description |
|
|
|
|
|
The Rich Media UI Framework specification standardizes a Widget Representation Format and Widget Packaging Formats to enable operators and manufacturers to consistently deliver a rich experience across consumer electronics and mobile devices, and beyond. The key features of the MPEG Rich Media UI Framework are the following: · a broad range of possible exploitation domains such as home network, broadcast, web and mobile domains; · the possibility to update the User Interface in a continuous manner; · the integration of a wide variety of media type (audio, video, text, 2D and 3D graphics). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
|
|
|
|
Standard on IPTV terminal providing enhanced features as follows: · User can run downloadable applications that are continuously made available by developers for multiple HW platforms without the need of separate developments to enhance user experience · Pervasive content generation, processing, distribution, search and retrieval etc. · P2P content generation, sharing and social networking |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
5 |
2 Ed |
|
This International Standard specifies a digital item structure, a file format, and references set of protocols used in a media streaming environment for applications where governed audio and video information is streamed to an end-user device by means of existing protocols such as MPEG-2 Transport Stream or Real Time Protocol over Internet Protocol (RTP/IP), and provides a set informative implementations corresponding to specific applications. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
9 |
2 |
10461 |
The purpose of the Amendment 2 is to update the MPEG-2 TS storage method of the standard so that it also complies to the Amendment 1 of ISO/IEC 14496-12 3rd Ed. (ISO base media file format). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
12 |
|
|
This defines a file format designed for interactive music service. It specifies how to combine the multiple audio tracks with associated information for a presentation in a well-defined format that facilitates storage, interchange, management, editing, and presentation of interactive music contents in interoperable ways. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
X |
1 |
2E |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
24 |
|
This amendment extends BSAC reference software to support coding of multichannel signals and use of the SBR coding tool. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
15 |
9973 |
Reference software related to AVC Multiview Video Coding (ISO/IEC 14496-10:2008/Amd.1) |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
|
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
12 |
|
This standard provides the reference software for the MPEG-4 File Format specification as described in ISO/IEC 14496-12 and ISO/IEC 14496-14. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
13 |
|
Provides a reference implementation of 3DMC Extension, Foot Print and Shadow tools as defined in ISO/IEC 14496-16. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
27 |
10326 |
Provides a reference implementation of Scalable Compression 3D Mesh Coding as defined in ISO/IEC 14496-16 AMD4. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
25 |
10016 |
This standard provides the Reference Software Implementation for Scene Partitioning tool as described in ISO/IEC 14496-1 |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
23 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
6 |
3 |
10156 |
Reference software related to Image Signature Tools (15938-3/Amd.3). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Reference Software for Professional Archival MAF (ISO/IEC 23000-6). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Reference Software of DMB MAF (ISO/IEC 23000-9). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
10 |
1 |
|
Reference Software for Video Surveillance MAF (ISO/IEC 23000-10). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
11 |
|
|
Reference Software for Stereoscopic Video AF (ISO/IEC 23000-11). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
12 |
|
|
Reference Software for Interactive Music AF (ISO/IEC 23000-12). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
B |
3 |
1 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
M |
3 |
|
|
Reference Software for MXM |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
|
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
26 |
|
|
This work collects all MPEG-4 Audio Conformance information into a single document. The result will make it much easier to find desired conformance information as it merges all audio-related clauses in 14496-4 and all audio-related amendments to 14496-4 into a single document, MPEG-4 Part 26. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
1 |
|
This amendment contains conformance descriptions and informations for MPEG-4 AAC, MPEG-4 AAC-ELD and also MEPG-4 Audio AMD 8, "MP4FF Box for Original Audio File Information." |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
26 |
1 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
38 |
10144 |
Conformance testing related to AVC Multiview Video Coding (ISO/IEC 14496-10:2008/Amd.1) |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
37 |
|
This amendment provides the conformance for the MPEG-4 File Format specification as described in ISO/IEC 14496-12 and ISO/IEC 14496-14. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
27 |
1 |
10014 |
This standard provides the conformance for the Scene Partitioning as specified in ISO/IEC 14496-16. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
27 |
2 |
|
This standard provides the conformance for the Scalable Complexity 3D Mesh Compression specification as described in ISO/IEC 14496-16 AMD4. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
34 |
|
This standard provides the conformance for the 3DGCM specification as described in ISO/IEC 14496-25 |
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
7 |
5 |
10158 |
Conformance testing related to Image Signature Tools (15938-3/Amd.3). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
3 |
2 |
|
Conformance testing related to Photo Player MAF (ISO/IEC 23000-3). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
4 |
|
|
Conformance Musical Slide Show MAF (ISO/IEC 23000-4). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Conformance Professional Archival MAF (ISO/IEC 23000-4). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Conformance of DMB MAF (ISO/IEC 23000-9). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Conformance for Video Surveillance MAF (ISO/IEC 23000-10). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
11 |
|
|
Conformance for Stereoscopic video AF (ISO/IEC 23000-11). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
12 |
|
|
Conformance for Interactive Music AF AF (ISO/IEC 23000-12). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
C |
4 |
1 |
|
VTL Conformance Provides tools for testing FUs and conformance measurement procedures which support testing of MPEG RVC bitstreams and decoders. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
M |
3 |
|
|
This part of MXM specifies the conformance tests for MXM applications, devices, and components. |
|
Std |
Pt |
Cor |
Req |
Short description |
|
2 |
2 |
3 |
|
Correction for field pictures |
|
Std |
Pt |
Cor |
Req |
Short description |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
3 |
|
Correction of two small bugs in studio profiles |
|
4 |
10 |
1 |
|
Correction of a set of small bugs and typos in the 200x edition (including SVC) |
|
Std |
Pt |
Cor |
Req |
Short description |
|
1 |
3 |
|
|
|
|
2 |
3 |
|
|
|
|
4 |
3 |
5 |
|
DST and MP3on4 |
|
4 |
3 |
3/1 |
|
SLS |
|
Std |
Pt |
Cor |
Req |
Short description |
|
4 |
16 |
|
|
|
|
Std |
Pt |
Cor |
Req |
Short description |
|
7 |
3 |
|
|
xxx |
|
Std |
Pt |
Cor |
Req |
Short description |
|
7 |
4 |
|
|
xxx |
|
Std |
Pt |
Cor |
Req |
Short description |
|
21 |
|
|
|
xxx |
|
Std |
Pt |
Cor |
Req |
Short description |
|
21 |
|
|
|
MPEG-A provides the framework such as a file format for integration of elements from several MPEG standards into a single specification that is suitable for specific but widely usable applications. Typically, MPEG-A specifies how to combine metadata with timed media information for a presentation in a well-defined format that facilitates interchange, management, editing, and presentation of the media. |
|
Pt |
Edit. |
Project |
Description |
CfP |
WD |
CD |
FCD |
FDIS |
Gr. |
|
|
2 |
1 |
2007 |
Cor.3 |
|
|
|
09/04 |
|
09/07 |
S |
|
2 |
1 |
2007 |
Amd.4 |
Transport of MVC over 13818-1 |
|
|
08/10 |
09/02 |
09/07 |
S |
|
4 |
1 |
2004 |
Amd.4 |
RA and systems extensions |
|
|
08/04 |
09/10 |
10/04 |
S |
|
4 |
3 |
200x |
Amd.1 |
HD-AAC profile |
|
|
08/10 |
09/02 |
09/07 |
A |
|
4 |
4 |
200x |
Cor.7 |
(Audio & 3DG) |
|
|
09/02 |
|
09/07 |
3 |
|
4 |
4 |
2004 |
Amd.37 |
File format conformance |
|
08/04 |
08/10 |
09/02 |
09/07 |
S |
|
4 |
4 |
2004 |
Amd.38 |
MVC conformance |
|
08/07 |
08/10 |
09/02 |
09/07 |
V |
|
4 |
5 |
2001 |
Amd 15 |
Reference software for Multiview Video Coding |
|
|
08/07 |
09/02 |
09/07 |
V |
|
4 |
5 |
2001 |
Amd.23 |
Synthetised Texture RefSof |
|
|
08/04 |
09/04 |
09/10 |
S |
|
4 |
5 |
2001 |
Amd.24 |
AAC-ELD RS |
|
|
08/04 |
08/10 |
09/04 |
A |
|
4 |
5 |
2001 |
Amd.25 |
Scene partitioning RefSof |
|
|
08/10 |
09/02 |
09/07 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
200x |
Amd.27 |
Scalable compl. 3DMC RS |
|
|
09/02 |
09/07 |
10/01 |
3 |
|
4 |
10 |
200x |
Amd.1 |
Constrained BL profile & suppl. enhanc. info. + Stereo High Profile |
|
|
08/10 |
09/02 |
09/07 |
V |
|
4 |
10 |
200x |
Cor.1 |
(MVC) |
|
|
09/07 |
|
09/10 |
V |
|
4 |
11 |
2005 |
Amd.7 |
DR BIFS profile |
09/04 |
09/07 |
09/10 |
10/04 |
10/10 |
3 |
|
4 |
12 |
2008 |
Amd.1 |
MPEG-2 FF |
|
07/10 |
08/04 |
08/10 |
09/04 |
S |
|
4 |
14 |
2003 |
Amd.1 |
Handling of MPEG-4 audio enhancement layers |
|
|
09/02 |
09/07 |
10/01 |
S |
|
4 |
15 |
2004 |
Amd.3 |
File format support for MVC |
|
|
08/10 |
09/02 |
09/07 |
S |
|
4 |
16 |
2006 |
Amd.4 |
Scalable complexity 3D mesh coding |
08/01 |
08/10 |
09/02 |
09/07 |
10/01 |
3 |
|
4 |
16 |
200x |
3rd Ed. |
AFX |
|
07/10 |
|
|
09/04 |
3 |
|
4 |
20 |
2008 |
Amd.2 |
Technology for scene adaptation |
|
|
08/07 |
09/02 |
09/07 |
S |
|
4 |
20 |
2008 |
Amd.3 |
PASI |
|
08/07 |
08/10 |
09/04 |
09/10 |
S |
|
4 |
26 |
2004 |
Cor.1 |
ALS & SLS update |
|
|
09/02 |
|
09/07 |
A |
|
4 |
26 |
2004 |
Amd.1 |
AAC-ELD conformance |
|
|
08/04 |
09/02 |
09/07 |
A |
|
4 |
27 |
200x |
Amd.1 |
Scene partitioning conformance |
|
|
08/10 |
09/02 |
09/07 |
3 |
|
4 |
27 |
200x |
Amd.2 |
Scalable compl. 3DMC conformance |
|
|
09/02 |
09/07 |
10/01 |
3 |
|
7 |
3 |
2002 |
Amd.4 |
Video Signature |
|
09/04 |
09/07 |
09/10 |
10/04 |
V |
|
7 |
6 |
2003 |
Amd.3 |
RefSof for image signature tools |
|
|
08/10 |
09/04 |
09/10 |
V |
|
7 |
7 |
2003 |
Amd.5 |
Conformance testing for image signature tools |
|
|
08/10 |
09/04 |
09/10 |
V |
|
7 |
8 |
2002 |
Amd.5 |
Extraction and matching of image signature tools |
|
|
08/10 |
|
09/04 |
V |
|
21 |
2 |
2005 |
Amd.1 |
DID PASI |
|
08/10 |
09/04 |
09/10 |
10/04 |
S |
|
21 |
19 |
200x |
1st Ed. |
Media Value Chain Ontology |
|
08/07 |
08/10 |
09/07 |
10/01 |
S |
|
A |
3 |
2007 |
Amd.2 |
Photo player AF Conformance |
|
08/07 |
09/02 |
09/07 |
10/01 |
V |
|
A |
4 |
2009 |
Amd.2 |
Protected MSS AF C & RS |
|
|
08/04 |
08/10 |
09/04 |
S |
|
A |
5 |
200x |
2nd Ed. |
MS AF |
|
08/01 |
09/04 |
09/10 |
10/04 |
S |
|
A |
6 |
200x |
Amd.1 |
PAF RS & C |
|
|
08/10 |
09/02 |
09/07 |
S |
|
A |
9 |
2008 |
Amd.1 |
DMB AF RS & C |
|
08/04 |
08/07 |
09/02 |
09/07 |
S |
|
A |
9 |
2008 |
Amd.2 |
DMB FF |
|
08/10 |
09/02 |
09/07 |
10/01 |
S |
|
A |
10 |
200x |
Amd.1 |
VS AF RS & C |
|
08/04 |
08/07 |
09/04 |
09/10 |
S |
|
A |
11 |
200x |
Cor.1 |
(SVAF codec signalling) |
|
|
09/02 |
|
09/07 |
S |
|
A |
12 |
200x |
1st Ed. |
Interactive music AF |
|
08/01 |
09/02 |
09/07 |
10/01 |
S |
|
C |
4 |
200x |
Amd.1 |
Conformance and RF |
|
08/04 |
09/02 |
09/07 |
10/01 |
V |
|
C |
4 |
200x |
Amd.2 |
Tools for MP4 ASP, AVC HP and SVC |
|
|
09/07 |
09/10 |
10/04 |
V |
|
D |
1 |
200x |
Cor.2 |
|
|
|
09/02 |
|
09/07 |
A |
|
D |
1 |
200x |
Amd.2/Cor.1 |
|
|
|
09/02 |
|
09/07 |
A |
|
D |
2 |
200x |
1st Ed. |
SAOC |
|
07/10 |
08/04 |
09/04 |
09/10 |
A |
|
D |
3 |
200x |
1st Ed. |
USAC |
|
08/10 |
09/10 |
10/01 |
10/07 |
A |
|
M |
1 |
200x |
1st Ed |
Architecture and Technologies |
08/04 |
08/07 |
09/02 |
09/07 |
10/01 |
S |
|
M |
2 |
200x |
1st Ed. |
API |
08/04 |
08/07 |
09/02 |
09/07 |
10/01 |
S |
|
M |
3 |
200x |
1st Ed. |
RS & C |
08/04 |
08/10 |
09/02 |
09/07 |
10/01 |
S |
|
V |
1 |
|
|
Architecture |
08/10 |
09/02 |
09/07 |
09/10 |
10/04 |
S |
|
V |
2 |
|
|
Control Informat. |
08/10 |
09/02 |
09/07 |
09/10 |
10/04 |
S |
|
V |
3 |
|
|
Sensor Informat. |
08/10 |
09/02 |
09/07 |
09/10 |
10/04 |
S |
|
V |
4 |
|
|
Avatar Characteristics |
08/10 |
09/02 |
09/07 |
09/10 |
10/04 |
S |
|
29116 |
1 |
|
2nd Ed. |
MXM protocols |
|
|
09/02 |
09/10 |
10/04 |
S |
| Overview and Dates
The 89th MPEG meeting will take place from Monday 29th June to Friday 3rd July 2009 at Queen Mary University of London, under coordination of its Centre for Digital Music. The meetings will start at 9:00 on Monday, June 29th and end on Friday, July 3rd in the evening. Ad hoc Groups will meet on Saturday 27th and Sunday 28th June 2009. All the meetings will be held at: Mile End Campus, Queen Mary University of London, Mile End Road, London E1 4NS. Contact person: Dr Panos Kudumakis |
|
General information
The 89th MPEG meeting is hosted by the Centre for Digital Music, School of Electronic Engineering and Computer Science of Queen Mary University of London.
AhGs will meet on 27-28 June 2009.
The 89th MPEG Meeting will be held on 29 June - 3 July, 2009.
All meetings will take place in the Francis Bancroft Building at Queen Mary University of London Mile End Campus.
Meeting web site
http://mpeglondon.eecs.qmul.ac.uk/
Meeting organiser
Dr Panos Kudumakis
Centre for Digital Music
Queen Mary University of London
Tel: +44 20 7882 5528
Fax: +44 20 7882 7997
Email: panos.kudumakis@elec.qmul.ac.uk
Address of the meeting
Francis Bancroft Building
Queen Mary University of London
Mile End Road
London E1 4NS, UK
Postal address of the host
89th MPEG Meeting
Att. Dr Panos Kudumakis
Centre for Digital Music
Queen Mary University of London
Mile End Road
London E1 4NS, UK
Visa information
Those delegates requiring invitation letters to facilitate obtaining an entry visa to UK, should contact Ms Jean Stride. Please remember to apply as soon possible, including your full contact details, so that the invitations can be prepared and despatched in a timely manner.
Registration and accommodation bookings on-line
All registrations and accommodations bookings at Mile End Campus have to be made on-line here.
Nearest stations on the London Underground are Mile End on Hammersmith and City, District and Central lines; and Stepney Green on the Hammersmith and City and District lines. Both stations are in Zone 2 of the London Underground and five minutes walking from Queen Mary University of London.
From Mile End station, turn left and cross Burdett Road and Mile End Road at the traffic lights, continue along the Mile End Road until you reach the College buildings on the right.
From Stepney Green, turn left out of the station, cross Globe Road and continue along Mile End Road.
Further travel information to Queen Mary University of London and Mile End Campus map.
London transport tickets
It is suggested a pay as you go (top-up) travel card called OYSTER as the cheapest way moving around in London as well as avoiding queuing for buying tickets every time you travel. It costs £3 but it is refundable. You could buy it at your arrival in UK. Photo is not necessary. There is also available a special visitor’s OYSTER travel card at £2.
Suggested arrival routes from London airports
These suggestions are simple routes, not necessarily the cheapest or fastest routes. For further information please also check:
London Heathrow
Alternative route (cheaper): From Heathrow, take the London Underground: Piccadilly Line Eastbound to Holborn (pronounced "hoe-burn"). Change to the Central Line, and travel Eastbound to Mile End, as above. Allow up to 1 1/2 hour total travel time.
Alternative route: From Heathrow take the Heathrow Express to Paddington as above, and then take the Hammersmith and City Line Eastbound directly to Mile End. To get to the Hammersmith and City Line at Paddington, walk along the platform to the footbridge that is, going away from the main concourse, then follow the signs to platforms. Note that as there is no escalator, it will be necessary to walk up and down about 20 steps to get to the platform.
London Gatwick
London Stansted
Occasionally the Hammersmith and City Line may have long gaps (10 mins or longer) between trains. If you don't want to wait at Liverpool Street Station, you can go instead to the Central Line and travel to Mile End station.
London City Airport
London City Airport is about 5 miles east of the campus, in the London Docklands. You may wish to consider getting a Taxi ("black cab"): the fare to the campus is probably about £18-£27.
Registration
Facilities
For the MPEG Meeting, the rooms will be equipped with:
Multimedia projection equipment and flipcharts
Sound and micro equipment (large rooms only)
Wireless access to Internet
Other facilities:
Secretary and helpdesk
Computer centre facilities
Registration and fees per participant
Registration includes:
7 days meeting rooms and A/V equipment
Wireless access to internet
Coffee-breaks and light lunches (weekdays)
Minimal (water and orange juice) refreshments at weekend
Registration fees:
£340 - Early bird registration (until 1st June 2009)
£380 - Regular registration (from 2nd to 26th June 2009)
£400 - On site registration (from 27th June 2009)
Registration fees cancellation policy:
£50 - until 15th June 2009
50% - from 16th to 26th June 2009
From and after 27th June 2009 no refund
Registration and accommodation bookings on-line
All registrations and accommodations bookings at Mile End Campus have to be made on-line here.
Accommodation
Mile End Campus
The Mile End Campus is a distinguishing feature of the College and is a pleasant surprise for visitors. It is a peaceful, secure and friendly environment only a few yards from the bustle of Mile End Road, with landscaped squares and a host of facilities together on one site: cafés, bars and restaurants, the Students' Union, canal-side accommodation in our Student Village, bank and bookshop.
Student halls of residence rooms are available at Queen Mary University of London, Mile End Campus. The rates are:
£42 for single rooms (breakfast & wired internet included) and
£57 for twin rooms (breakfast & wired internet included).
Mile End Campus accommodation reception is located in France House which is open 24 hours per day. Check in after 12:00am / check out before 10:00am.
Accommodation rooms are grouped in small blocks with the use of communal cooking/dinning areas for those that wish to use them – if you wished to be housed with specific colleagues, please provide this information when you make your reservation and we will try to accommodate your request.
If you are planning to attend with guests under the age of 18, please indicate this on your registration form.
Closing date for the submission of accommodation orders at Queen Mary University of London, Mile End Campus is the 1st June 2009. Applications received after this date will be handled on a request basis and bookings will be made subject to contingent availability.
Mile End Campus rooms at Queen Mary University of London.

Mile End Campus accommodation bookings cancellation policy:
Full refund - until 15th June 2009.
One (1) night charge from and after 16th June 2009.
Registration and accommodation bookings on-line
All registrations and accommodation bookings at Mile End Campus have to be made on-line here.
Hotels
A list of hotels located near to Queen Mary University of London (QMUL) is given below; however, there are no block room reservations with these hotels and they are only provided for your convenience.
Hotel name |
Distance from QMUL |
Star rating |
Four Seasons Hotel Canary Wharf |
< 4 KM |
***** |
London Marriott West India Quay |
< 4 KM |
***** |
Guoman - The Tower Hotel |
< 4 KM |
**** |
Hilton London Docklands Riverside Hotel |
< 3 KM |
**** |
Britannia International Docklands Hotel
|
< 4 KM |
*** |
Hotel Ibis London Stratford |
< 4 KM |
*** |
City Hotel |
< 3 KM |
*** |
Hotel Ibis London City |
< 3 KM |
*** |
St Giles Hotel in Central London |
< 8 KM |
*** |
For alternative hotel possibilities, try e.g.
Social Event
Wednesday, 1st July 2009, Medieval Banquet
Doors open: 19:30
We would like to invite the MPEG delegates to join us at a Medieval Banquet on Wednesday 1st July 2009. The regal banquet takes place by flickering torchlight in the vaulted cellars of Ivory House, just a stone's throw from the Tower of London and Tower Bridge. Accompanying King Henry VIII are fighting knights, strolling players and dancing wenches which provide a magical medieval pageant for your delight. After the show, there is music and dancing, or you could take a two minute walk to Tower Bridge and enjoy a panoramic view of London by night.
Tickets for accompanying guests can be purchased in advance at the following rates:
How to get there
Address
The Medieval Banquet, Ivory House
St Katharines Dock, London, E1W 1BP
The Medieval Banquet is just to the east of the City of London and Tower Bridge, next to the World Trade Centre in St. Katharine's Dock. The nearest station is Tower Hill on the District and Circle lines (5 minutes walk). From the station, turn left and follow the underpass towards St. Katharine's Dock. Pass the Tower of London on the right. Carry straight on through the underpass and into St. Katharine's Dock. Ivory House is on the left past the World Trade Centre.
Further directions and map.
Restaurants
There are a number of restaurants around the meeting venue.
However, for an unforgettable experience try the restaurants in Liverpool Street, Shoreditch and Brick Lane areas which are only couple of tube stops away from the meeting venue or a long walk.
For riverside explorations try the restaurants in the Canary Wharf and Tower Bridge areas.
The following sites are only a few of many where you could search for restaurants by area, cuisine, style, etc.
F.A.Qs
Buses
London Underground ceases operation about midnight. If you need to travel to Mile End from Central London, Bus 25 runs 24 hours a day from Oxford Circus (bus departing points OD, OG, OJ, OL) to Ilford stopping in front of Mile End Campus.
Further London buses routes.
Electricity
Type G, 230-240 V AC, 50 Hz, three-square-pin plugs are standard. For more details, see BS 1363.

Currency
The currency of the UK is the pound sterling (symbol: £; ISO code: GBP), subdivided into 100 pence (singular: penny). Coins of 1p, 2p, 5p, 10p, 20p, 50p, £1 and £2 and banknotes of £5, £10, £20, and £50 value are frequently used. Major Credit Cards are widely accepted in hotels, restaurants and shops.

Time
Greenwich, in London, is where you will find the Prime Meridian - the line that divides the Earth into East and West and from which the world's time is set. Greenwich Mean Time (GMT) is the term used for the current time on this line, and clocks and watches all around the world are set in relation to this.
GMT precisely (GMT+1 in summer)
Weather
In the summer, it can be as hot as 32°C (90°F) but mostly the temperature only reaches 26°C (79°F). The average high in London from June through August is around 21°C (70°F) and the average low is around 12°C (54°F). However, England has a reputation of frequent weather changes during a day, so do not forget your umbrella!
Tipping
Tipping in London is not appropriate in most circumstances unless the service was good and you want to show your appreciation. The following is intended only as a guide to customary practice:
Smoking
Since Sunday 1st July 2007 in England smoking is no longer permitted in any enclosed or substantially enclosed premises or vehicles that are open to the public including pubs, restaurants and all places of work.
Banking hours officially 09:30-15:30, but most banks open usually till about 17:00. Cash points (ATMs) are widely available. Visa and Mastercard are widely accepted while other cards are also often accepted.
East London inside
East London is a vibrant and culturally interesting area which is the fastest growing destination in London. It offers around 130 attractions from the well-known London Dungeon to the quirky Geffrye Museum and more markets than any other town in Britain, a wide range of activities from watersports to circus training, and over 100 annual events.
Visit Greenwich for its World Heritage, Brick Lane & Spitalfields for their trendy bars, Canary Wharf for the great shopping or West India Quay for a cocktail, the London Bridge Area for its two great London icons - the Tower of London and Tower Bridge, Stratford for its family attractions including a theatre and Deptford for its resident artist community and fabulous festivals. |
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Canary Wharf |
|
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Tower Bridge |