INTERNATIONAL ORGANISATION FOR STANDARDISATION
ORGANISATION INTERNATIONALE DE NORMALISATION
ISO/IEC JTC 1/SC 29/WG 11
CODING OF MOVING PICTURES AND AUDIO
ISO/IEC JTC 1/SC 29/WG 11 N10879
October 2009
Source |
Leonardo Chiariglione - Convenor |
Title |
91st WG11 meeting notice |
The 91st MPEG Meeting will take place from 18th to 22nd January 2010 at
| Kyoto Research Park (KRP) | Tel | +81-75-322-7888 |
| Chudoji Minami-machi 134, shimogyo-ku | Fax | +81-75-314-2968 |
| Kyoto 600-8813 | WWW | http://www.krp.co.jp/english/index.html |
| Japan | ¡¡ | ¡¡ |
Please find additional information here
Please note that
Facilities fees will be charged on participants (see Logistic Information)
Some ad hoc groups will meet on the week end before the meeting.
1 Opening
2 Roll call of participants
3 Approval of agenda
| Agenda item | # | Title |
|
1 Opening |
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2 Roll call of participants |
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3 Approval of agenda |
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4 Allocation of contributions |
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5 Communications from Convenor |
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6 Report of previous meeting |
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7 Processing of NB Position Papers |
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8 Work plan management |
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| 10865 | Font Format Representation | |
| ¡¡ | ¡¡ | |
| 10727 |
Reconfigurable Video Coding |
|
| 10727 |
Reconfigurable Video Coding |
|
| 10852 | SAOC, USAC and MetaData | |
| 10852 | SAOC, USAC and MetaData | |
| 10868 | MPEG-V | |
| 10868 | MPEG-V | |
| 10868 | MPEG-V | |
| 10729 | 3D Video Coding | |
| 10730 | High-Performance Video Coding | |
| ¡¡ | ¡¡ | |
| 10862 |
Scene Representation |
|
| 10862 |
Scene Representation |
|
|
8.2.3 Presentation and Modification of Structured Information |
10862 |
Scene Representation |
| 10862 |
Scene Representation |
|
| ¡¡ | ¡¡ | |
| 10728 | MPEG-7 Visual | |
| ¡¡ | ¡¡ | |
| ¡¡ | ¡¡ | |
| 10852 | SAOC, USAC and MetaData | |
| ¡¡ | ¡¡ | |
| ¡¡ | ¡¡ | |
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|
8.5 IPMP |
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| 10863 | MPEG File Formats | |
| 10863 | MPEG File Formats | |
| 10863 | MPEG File Formats | |
| ¡¡ | ¡¡ | |
| 10872 |
MPEG Media Transport |
|
| ¡¡ | ¡¡ | |
| ¡¡ | ¡¡ | |
| 10867 |
MXM |
|
| 10867 |
MXM |
|
| 10867 |
MXM |
|
| ¡¡ | ¡¡ | |
| ¡¡ | ¡¡ | |
| 10866 | Advanced IPTV Terminal | |
| ¡¡ | ¡¡ | |
| 10864 | Application Format | |
| 10864 | Application Format | |
| 10864 | Application Format | |
| 10864 | Application Format | |
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| 10726 | Maintenance of MPEG-4 Visual related Documents, RefSof & Conformance | |
| 10851 | Audio Standards Maintenance | |
| 10743 | 3DGC documents, software maintenance and core experiments | |
| ¡¡ | ¡¡ | |
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|
9 Organisation of this meeting |
¡¡ | ¡¡ |
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9.1 Tasks for subgroups |
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9.2 Joint meetings |
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10 WG management |
¡¡ | ¡¡ |
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10.1 Terms of reference |
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10.2 Officers |
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10.3 Editors |
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10.4 Liaisons |
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10.5 Responses to National Bodies |
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10.6 Work item assignment |
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10.7 Ad hoc groups |
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10.8 Asset management |
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10.8.1 Reference software |
¡¡ | ¡¡ |
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10.8.2 Conformance |
¡¡ | ¡¡ |
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10.8.3 Test material |
¡¡ | ¡¡ |
|
10.8.4 URI |
¡¡ | ¡¡ |
|
10.9 IPR management |
¡¡ | ¡¡ |
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10.10 Work plan and time line |
¡¡ | ¡¡ |
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11 Administrative matters |
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|
11.1 Schedule of future MPEG meetings |
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11.2 Promotional activities |
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12 Resolutions of this meeting |
¡¡ | ¡¡ |
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13 A.O.B. |
¡¡ | ¡¡ |
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14 Closing |
¡¡ | ¡¡ |
4 Allocation of contributions
5 Communications from Convenor
6 Report of previous meeting
7 Processing of NB Position Papers
8 Work plan management
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
3 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
3 |
? |
? |
The AAC profile and HE-AAC v2 profiles have enjoyed widespread adoption by industry, in part because they were deliberately kept simple in order to meet the industry needs and not burden the implementers with features not useful for their application. However, the profiles included support for the 960 transform in addition to the more commonly used 1024 transform. So far, industry has failed to live up to the exact wording of the original specification by only implementing one of the two transform lengths. In fact several application standards limit the profile to one frame length, and do not require support for both. This may have significant impact on interoperability, and this effort seeks a solutions to this dilemma. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
3 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
10 |
1 |
|
This amendment will provide 1. A profile that is a common core of cross-application compatibility among decoders supporting the existing high-volume profiles (Baseline and High), reflects some existing industry practice, and improves alignment with some guidelines adopted in important application specifications 2. A profile providing an effective solution to adapt the full set of coding tools of the High profile for stereo-view applications. The number of coded views is limited to two, in order to address the particular class of stereo video applications. Support for interlaced coding tools is included, as these are supported in the High Profile on which the multiview video coding (MVC) extensions are already otherwise based, and as interlaced camera capture remains a common application scenario. The interlaced coding tools included in this profile can be supported easily in implementations based on the existing (single view) High profile. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
16 |
3rd E |
|
This standard contains all the 3D Graphics tools developed by MPEG since 2001. They are classified in representation and compression tools. In the first category there are high order surface representation, subdivision surfaces, implicit equation-based volume representation, shape deformation models. The 3D Graphics compression toolbox handles three types of graphics data: geometry (3D Mesh Compression, Wavelet Subdivision Surface, MeshGrid, FootPrint), appearance (Depth-based Image Representation, PointTexture) and animation (Bone-based Animation, Frame-based Animated Mesh Compression). The standard also defines profiles for using MPEG-4 3D Graphics tools in applications. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
16 |
3 |
|
This standard defines three profiles: one for Graphics dimension (called Basic AFX Graphics), one for Scene Graph dimension (called Basic AFX Scene Graph) and one for compression dimension (called 3D MultiResolution Compression). The combination of the three profiles allows progressive and adaptive transmission over networks of large 3D environments and/or complex 3D shapes. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
16 |
|
|
LC-3DMC aims to provide efficient and low-complexity 3D mesh compression and streaming for downloading 3D vertex positions, normals, texture coordinates, other attributes per vertex, and topology. Low complexity is targeted for both, decoder and encoder. This standard aims to enable real-time applications on devices with low computational and memory capacities (PDA, mobile phones¡). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
22 |
1 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
21 |
19 |
1E |
? |
A standard media value chain ontology focusing on the rights management aspects. The standard specifies a core OWL ontology, extensible for specific domains as well as an API to facilitate access to the ontology. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
B |
4 |
|
|
CCR provides a description of media decoder configuration, which contains syntax parsing and decoding process. Now, the design of CCR is mainly done in video coding, but may be applicable to audio and other media coding. Using CCR and a toolbox containing functional units (FUs), a decoding solution may be implemented. CCR may support the toolbox with MPEG tools as well as the toolbox with nonMPEG tools. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
C |
4 |
|
|
1. A repository of video coding tools used in MPEG Video standards 2. The series of MPEG video coding standards with indication of which coding tools defined in 1. they use 3. Combination of tools for existing standards (if applicable) 4. Possible case: intraframe only profile(s) |
|
Std |
Pt |
Amd |
Req |
Short description |
|
D |
1 |
1 |
|
Spatial Audio Object Coding represents several audio objects by first combining the object signals into a mono or stereo signal, whilst extracting parameters from the individual object signals based on knowledge of human perception of the sound stage. These parameters are coded as a low bitrate side-channel that the decoder uses to render an audio scene from the stereo or mono down-mix such that the aspects of the output composition can be decided at the time of decoding. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
D |
3 |
|
|
Unified Speech and Audio Coding is a single, unified coder with performance that equals or surpasses that of dedicated speech coders for speech signals and dedicated music coders for music signals over a broad range of bitrates. It employs time-domain linear prediction and residual coding tools for speech-like signal segments and transform coding tools for music-like signal segments and is able to switch between the tool sets in a dynamic, signal-responsive manner. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
V |
2 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
V |
3 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
V |
4 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
|
|
|
|
3D video (3DV) supports new types of audio-visual systems that allow users to view videos of the real 3D space from different user viewpoints. In an advanced application of 3DV, denoted as Free-viewpoinT Video (FTV), a user can set the viewpoint to an almost arbitrary location and direction, which can be static, change abruptly, or vary continuously, within the limits that are given by the available camera setup. Similarly, the audio listening point is changed accordingly. The first phase of 3DV development is expected to support advanced 3D displays, where M dense views must be generated from a sparse set of K transmitted views (typically K£3) with associated depth data. The allowable range of view synthesis will be relatively narrow (20 degrees view angle from leftmost to rightmost view). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
|
|
|
|
The overall amount of video data rate that is to be transferred over networks will grow at a very fast pace by the increased number of services and users and the increasing resolution of video from SD to HD and beyond. Therefore, next generation of video compression technology is needed that has clearly higher compression capability than the existing AVC standard in its best configuration, the High Profile. A study has been started on the feasibility of HVC, which is mainly intended for high quality applications, in particular expecting ¡¤ Performance improvements at higher resolution, ¡¤ Applicability to entertainment-quality services such as HD mobile, home cinema and UHD TV. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
11 |
|
|
New profile definition for interactive services over digital radio possibly including additional technologies to BIFS and link to LASeR presentation |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
20 |
2 |
10064 |
This amendment provides means to for the adaptation of scene representation considering the terminal. It supports the optimized scene composition regarding each device types and the resource status. The purpose is providing the efficient tool for supporting various sorts of terminals in the network such as IPTV. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
20 |
3 |
|
This specification specifies means to present any Structured Information (any document conforming a given schema such as MPEG-21 DI or TVAnytime) in a consistent manner using Presentation Information (MPEG-4 LASeR.) It also provides a mechanism to reflect the result of the presentation back into the Structured Information. For example, a feature-rich (such as graphical layout of channel information and predefined user interactions) channel guide can be provided using this specification by accessing incoming EPG structured information and presenting declaratively. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
20 |
4 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
3 |
4 |
|
Video signature tools support ultra-fast search for and identification of videos and their modified/edited versions or fragments. They are designed to be robust to a range of deformations, such as coding artifacts, blurring, colour-to-monochrome conversion, trans-coding and and frame-rate change. Applications include: ¡¤ Video-based content searching and linking, ¡¤ Database de-duplication and ¡¤ Content Rights Management and Usage Monitoring. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
8 |
5 |
10160 |
The standard is amended by the extraction and matching methods related to the Image Signature Tools (15938-3/Amd.3). This includes fast, high precision methods as needed for search in extremely large image databases. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
1 |
4 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
? |
? |
|
This effort will explore specification of metadata derived from the audio signal. It is envisioned that such metadata may at least consist of information to control the following three factors (the three "classical" D's): ¡¤ dialog normalization ¡¤ dynamic range control ¡¤ downmix Such Audio metadata permits the receiver to manipulate the received audio signal based on the adjustments performed by the listener. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
1 |
4 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
1 |
4 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
21 |
4 |
1 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
21 |
2 |
1 |
|
This specification standardizes means to present structured information in a MPEG-21 Digital Item by a scene representation language such as MPEG-4 LASeR. An element named as Presentation is added into Digital Item Declaration Model to presents the metadata or other information of its parent Digital Item. Typically the Presentation element is a well-formed XML document (or just a pointer to a remote fragment) which contains the Presentation Information. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
3 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
2 |
1 |
4 |
10241 |
Specifies the transport format for ISO/IEC 14496-10:200x/AMD? Multiview Video Coding (MVC) video streams in MPEG-2 Systems. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
12 |
1 |
|
This amendment improves various areas, including metadata support, sample groups, and sample groups, and introduces hint tracks to support MPEG-2 Transport, multimedia internet key (MIKEY) streams, and the recording of streams as hint tracks. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
12 |
2 |
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
14 |
1 |
13500 |
Multiple occurrences of ¡°mp4a¡± tracks in an MP4FF presents problems for many existing implementations, in that it is not clear if such tracks are alternate encodings of a signal (e.g. multiple bitrates) or if one track depends on the other (e.g. one is a ¡°base¡± AAC stream and the other is an SLS ¡°enhancement¡± stream). This amendment extends the MP4FF specification to implement new box type ¡°mp4ae¡± that will be used to indicate that a track is an ¡°audio enhancement¡± track. Hence, base plus enhancement track structures can be indicated as:
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
? |
? |
? |
? |
In order to overcome current limitations of available standards in the area of media streaming, the development of a media aware client is envisioned in line with the MPEG philosophy of concentrating the work on the media client. Possible topics of work are: ¡¤ Transport- and file format friendly stream format ¡¤ Cross layer optimization between video and transport layer ¡¤ Error resilience for MPEG streams, ¡¤ Conversion between transport mechanisms ¡¤ Content adaptation to different networks. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
25 |
1 |
? |
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
M |
1 |
|
|
This part of MXM specifies the MXM architecture and references the technologies that are part of an MXM implementation. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
M |
2 |
|
|
This part of MXM specifies a set of Application Programming Interfaces (APIs) so that MXM Applications executing on an MXM Device can access the standard multimedia technologies contained in its Middleware as MXM Engines, as specified by part 1 of MXM. The APIs belong to two classes ¡ª The MXM Engine APIs, i.e. the collection of the individual MXM Engine APIs providing access to a single MPEG technology (e.g. video coding) or to a group of MPEG technologies where this is convenient ¡ª The MXM Orchestrator API, i.e. the API of the special MXM Engine that is capable of creating chains of MXM engines to execute a high-level application call such as Play, as opposed to the typically low-level MXM Engine API calls |
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Std |
Pt |
Amd |
Req |
Short description |
|
X |
1 |
2E |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
U |
1 |
|
|
The Rich Media UI Framework specification standardizes a Widget Representation Format and Widget Packaging Formats to enable operators and manufacturers to consistently deliver a rich experience across consumer electronics and mobile devices, and beyond. The key features of the MPEG Rich Media UI Framework are the following: ¡¤ a broad range of possible exploitation domains such as home network, broadcast, web and mobile domains; ¡¤ the possibility to update the User Interface in a continuous manner; ¡¤ the integration of a wide variety of media type (audio, video, text, 2D and 3D graphics). |
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Std |
Pt |
Amd |
Req |
Short description |
|
V |
1 |
|
|
This project will provide a standardized framework that enables the interoperability between virtual worlds (as for example IMVU, Google Earth and many others) and the real world (sensors, actuators, social and welfare systems, banking, insurance, travel, real estate and many others). Virtual Worlds are 3D space where people can work, interact, play, travel, learn and augment real life. The broad acceptance of virtual words (social networks, serious games, ¡) and the relation to the real world (devices and real world networks) brings emerging (business) opportunities and challenges; the resulting interoperability will enable a new and sustainable industry. It is foreseen that this project will enable the start of the next revolution of the internet and related technologies, which will become a major source of information, services, education and entertainment and associated business in the ¡®digital society¡¯. Standardization of Sensory Effects information to improve presentation of audiovisual contents. Sensory Effects may include special effects such as opening/closing window curtains for mood changes, turning on a flashbulb for lightning flash effects as well as fragrance, flame, fog, and scare effects made by scent devices, flame-throwers, fog generators, and shaking chairs respectively. This work will lead to the application of new media for enhanced experiences of users in a more realistic sense. |
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Std |
Pt |
Amd |
Req |
Short description |
|
|
|
|
|
Standard on IPTV terminal providing enhanced features as follows: ¡¤ User can run downloadable applications that are continuously made available by developers for multiple HW platforms without the need of separate developments to enhance user experience ¡¤ Pervasive content generation, processing, distribution, search and retrieval etc. ¡¤ P2P content generation, sharing and social networking |
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Std |
Pt |
Amd |
Req |
Short description |
|
A |
5 |
2 Ed |
|
This International Standard specifies a digital item structure, a file format, and references set of protocols used in a media streaming environment for applications where governed audio and video information is streamed to an end-user device by means of existing protocols such as MPEG-2 Transport Stream or Real Time Protocol over Internet Protocol (RTP/IP), and provides a set informative implementations corresponding to specific applications. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
9 |
2 |
10461 |
The purpose of the Amendment 2 is to update the MPEG-2 TS storage method of the standard so that it also complies to the Amendment 1 of ISO/IEC 14496-12 3rd Ed. (ISO base media file format). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
11 |
2 |
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
12 |
|
|
This defines a file format designed for interactive music service. It specifies how to combine the multiple audio tracks with associated information for a presentation in a well-defined format that facilitates storage, interchange, management, editing, and presentation of interactive music contents in interoperable ways. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
24 |
|
This amendment extends BSAC reference software to support coding of multichannel signals and use of the SBR coding tool. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
15 |
9973 |
Reference software related to AVC Multiview Video Coding (ISO/IEC 14496-10:2008/Amd.1) |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
|
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
12 |
|
This standard provides the reference software for the MPEG-4 File Format specification as described in ISO/IEC 14496-12 and ISO/IEC 14496-14. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
13 |
|
Provides a reference implementation of 3DMC Extension, Foot Print and Shadow tools as defined in ISO/IEC 14496-16. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
27 |
10326 |
Provides a reference implementation of Scalable Compression 3D Mesh Coding as defined in ISO/IEC 14496-16 AMD4. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
25 |
10016 |
This standard provides the Reference Software Implementation for Scene Partitioning tool as described in ISO/IEC 14496-1 |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
5 |
23 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
6 |
3 |
10156 |
Reference software related to Image Signature Tools (15938-3/Amd.3). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Reference Software for Professional Archival MAF (ISO/IEC 23000-6). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Reference Software of DMB MAF (ISO/IEC 23000-9). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
10 |
1 |
|
Reference Software for Video Surveillance MAF (ISO/IEC 23000-10). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
11 |
|
|
Reference Software for Stereoscopic Video AF (ISO/IEC 23000-11). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
12 |
|
|
Reference Software for Interactive Music AF (ISO/IEC 23000-12). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
B |
3 |
1 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
M |
3 |
|
|
Reference Software for MXM |
|
Std |
Pt |
Amd |
Req |
Short description |
|
U |
2 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
V |
5 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
|
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
26 |
|
|
This work collects all MPEG-4 Audio Conformance information into a single document. The result will make it much easier to find desired conformance information as it merges all audio-related clauses in 14496-4 and all audio-related amendments to 14496-4 into a single document, MPEG-4 Part 26. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
1 |
|
This amendment contains conformance descriptions and informations for MPEG-4 AAC, MPEG-4 AAC-ELD and also MEPG-4 Audio AMD 8, "MP4FF Box for Original Audio File Information." |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
26 |
1 |
|
|
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
38 |
10144 |
Conformance testing related to AVC Multiview Video Coding (ISO/IEC 14496-10:2008/Amd.1) |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
37 |
|
This amendment provides the conformance for the MPEG-4 File Format specification as described in ISO/IEC 14496-12 and ISO/IEC 14496-14. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
27 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
27 |
1 |
10014 |
This standard provides the conformance for the Scene Partitioning as specified in ISO/IEC 14496-16. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
27 |
2 |
|
This standard provides the conformance for the Scalable Complexity 3D Mesh Compression specification as described in ISO/IEC 14496-16 AMD4. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
4 |
4 |
34 |
|
This standard provides the conformance for the 3DGCM specification as described in ISO/IEC 14496-25 |
|
Std |
Pt |
Amd |
Req |
Short description |
|
7 |
7 |
5 |
10158 |
Conformance testing related to Image Signature Tools (15938-3/Amd.3). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
3 |
2 |
|
Conformance testing related to Photo Player MAF (ISO/IEC 23000-3). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
4 |
|
|
Conformance Musical Slide Show MAF (ISO/IEC 23000-4). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Conformance Professional Archival MAF (ISO/IEC 23000-4). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Conformance of DMB MAF (ISO/IEC 23000-9). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
6 |
|
|
Conformance for Video Surveillance MAF (ISO/IEC 23000-10). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
11 |
|
|
Conformance for Stereoscopic video AF (ISO/IEC 23000-11). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
A |
12 |
|
|
Conformance for Interactive Music AF AF (ISO/IEC 23000-12). |
|
Std |
Pt |
Amd |
Req |
Short description |
|
C |
4 |
1 |
|
VTL Conformance Provides tools for testing FUs and conformance measurement procedures which support testing of MPEG RVC bitstreams and decoders. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
M |
3 |
|
|
This part of MXM specifies the conformance tests for MXM applications, devices, and components. |
|
Std |
Pt |
Amd |
Req |
Short description |
|
U |
2 |
|
|
xxx |
|
Std |
Pt |
Amd |
Req |
Short description |
|
V |
4 |
|
|
xxx |
|
Std |
Pt |
Cor |
Req |
Short description |
|
2 |
2 |
3 |
|
Correction for field pictures |
|
Std |
Pt |
Cor |
Req |
Short description |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
3 |
|
Correction of two small bugs in studio profiles |
|
4 |
10 |
1 |
|
Correction of a set of small bugs and typos in the 200x edition (including SVC) |
|
Std |
Pt |
Cor |
Req |
Short description |
|
1 |
3 |
|
|
|
|
2 |
3 |
|
|
|
|
4 |
3 |
5 |
|
DST and MP3on4 |
|
4 |
3 |
3/1 |
|
SLS |
|
Std |
Pt |
Cor |
Req |
Short description |
|
4 |
16 |
|
|
|
|
Std |
Pt |
Cor |
Req |
Short description |
|
7 |
12 |
|
|
xxx |
|
Std |
Pt |
Cor |
Req |
Short description |
|
7 |
3 |
|
|
xxx |
|
Std |
Pt |
Cor |
Req |
Short description |
|
7 |
4 |
|
|
xxx |
|
Std |
Pt |
Cor |
Req |
Short description |
|
21 |
|
|
|
xxx |
|
Std |
Pt |
Cor |
Req |
Short description |
|
21 |
|
|
|
MPEG-A provides the framework such as a file format for integration of elements from several MPEG standards into a single specification that is suitable for specific but widely usable applications. Typically, MPEG-A specifies how to combine metadata with timed media information for a presentation in a well-defined format that facilitates interchange, management, editing, and presentation of the media. |
|
Pt |
Edit. |
Project |
Description |
CfP |
WD |
CD |
FCD |
FDIS |
Gr. |
|
|
2 |
1 |
2007 |
Cor.3 |
|
|
|
09/07 |
|
09/10 |
S |
|
2 |
1 |
2007 |
Amd.4 |
Transport of MVC over 13818-1 |
|
|
08/10 |
09/02 |
09/07 |
S |
|
2 |
1 |
2007 |
Amd.5 |
Carriage of J2000 over 13818-1 |
|
09/07 |
09/10 |
10/04 |
10/09 |
S |
|
4 |
1 |
2004 |
Amd.4 |
RA and systems extensions |
|
|
09/07 |
09/10 |
10/04 |
S |
|
4 |
3 |
200x |
Cor.1 |
|
|
|
09/04 |
|
09/10 |
A |
|
4 |
3 |
200x |
Amd.1 |
HD-AAC profile |
|
|
08/10 |
09/02 |
09/07 |
A |
|
4 |
4 |
200x |
Cor.7 |
(Audio & 3DG) |
|
|
09/02 |
|
09/07 |
3 |
|
4 |
4 |
2004 |
Amd.37 |
File format conformance |
|
08/04 |
08/10 |
09/02 |
09/07 |
S |
|
4 |
4 |
2004 |
Amd.38 |
MVC conformance |
|
08/07 |
08/10 |
09/02 |
09/10 |
V |
|
4 |
5 |
2001 |
Amd.14/Cor.1 |
|
|
|
09/04 |
|
09/10 |
S |
|
4 |
5 |
2001 |
Amd 15 |
Reference software for MVC |
|
|
08/07 |
09/02 |
09/10 |
V |
|
4 |
5 |
2001 |
Amd.23 |
Synthetised Texture RefSof |
|
|
08/04 |
09/04 |
09/10 |
S |
|
4 |
5 |
2001 |
Amd.25 |
Scene partitioning RefSof |
|
|
08/10 |
09/02 |
09/07 |
3 |
|
4 |
5 |
200x |
Amd.27 |
Scalable compl. 3DMC RS |
|
|
09/02 |
09/10 |
10/04 |
3 |
|
4 |
10 |
200x |
Amd.1 |
Constrained BL profile & suppl. enhancem. info. + Stereo High Profile |
|
|
08/10 |
09/02 |
09/07 |
V |
|
4 |
10 |
200x |
Cor.1 |
(AVC, SVC, MVC) |
|
|
09/07 |
|
09/10 |
V |
|
4 |
11 |
2005 |
Amd.7 |
DR BIFS profile |
09/04 |
|
09/07 |
09/10 |
10/04 |
S |
|
4 |
12 |
2008 |
Cor.3 |
|
|
|
09/02 |
|
09/07 |
S |
|
4 |
12 |
2008 |
Amd.2 |
Subtract selection & adaptive progressive download |
|
09/07 |
10/01 |
10/07 |
11/01 |
S |
|
4 |
14 |
2003 |
Amd.1 |
Handling of MPEG-4 audio enhancement layers |
|
|
09/02 |
09/07 |
10/01 |
S |
|
4 |
15 |
2004 |
Amd.3 |
File format support for MVC |
|
|
08/10 |
09/02 |
09/07 |
S |
|
4 |
16 |
200x |
Amd.1 |
Scalable complexity 3D mesh coding |
08/01 |
08/10 |
09/02 |
09/07 |
10/01 |
3 |
|
4 |
20 |
2008 |
Amd.2 |
Technology for scene adaptation |
|
|
08/07 |
09/02 |
09/07 |
S |
|
4 |
20 |
2008 |
Amd.3 |
PMSI |
|
08/07 |
08/10 |
09/04 |
09/10 |
S |
|
4 |
22 |
200x |
Amd.1 |
Support for many-to-one range mappings |
|
|
09/04 |
09/10 |
10/04 |
S |
|
4 |
25 |
200x |
Amd.1 |
Codec for 3DG compression model |
|
09/07 |
09/10 |
10/04 |
10/09 |
3 |
|
4 |
26 |
2004 |
Cor.1 |
ALS & SLS update |
|
|
09/02 |
|
09/07 |
A |
|
4 |
26 |
2004 |
Amd.1 |
AAC-ELD conformance |
|
|
08/04 |
09/02 |
09/07 |
A |
|
4 |
26 |
2004 |
Amd.2 |
BSAC conformance for broadcasting |
|
|
09/04 |
09/10 |
10/04 |
A |
|
4 |
27 |
200x |
Amd.1 |
Scene partitioning conformance |
|
|
08/10 |
09/02 |
09/07 |
|
|
4 |
27 |
200x |
Amd.2 |
Scalable compl. 3DMC conformance |
|
|
09/02 |
09/10 |
10/04 |
3 |
|
7 |
3 |
2002 |
Amd.4 |
Video Signature |
|
09/04 |
09/07 |
09/10 |
10/04 |
V |
|
7 |
6 |
2003 |
Amd.3 |
RefSof for image signature tools |
|
|
08/10 |
09/04 |
09/10 |
V |
|
7 |
7 |
2003 |
Amd.5 |
Conformance testing for image signature tools |
|
|
08/10 |
09/04 |
09/10 |
V |
|
7 |
8 |
2002 |
Amd.4 |
Extraction of audio features from compressed formats |
|
|
08/05 |
|
09/07 |
V |
|
7 |
8 |
2002 |
Amd.5 |
Extraction and matching of image signature tools |
|
|
08/10 |
|
09/10 |
V |
|
7 |
11 |
200x |
Cor.2 |
(missing semantics) |
|
09/07 |
09/10 |
|
10/04 |
V |
|
21 |
2 |
2005 |
Amd.1 |
Presentation of digital item |
|
08/10 |
09/04 |
09/10 |
10/04 |
S |
|
21 |
4 |
2006 |
Amd.2 |
Protection of presentation element |
|
|
09/04 |
09/10 |
10/04 |
S |
|
21 |
19 |
200x |
1st Ed. |
Media Value Chain Ontology |
|
08/07 |
08/10 |
09/07 |
10/01 |
S |
|
A |
3 |
2007 |
Amd.2 |
Photo player AF Conformance |
|
08/07 |
09/02 |
09/07 |
10/01 |
V |
|
A |
5 |
200x |
2nd Ed. |
MS AF |
|
08/01 |
09/04 |
09/10 |
10/04 |
S |
|
A |
6 |
200x |
Amd.1 |
PAAF RS & C |
|
|
08/10 |
09/02 |
09/07 |
S |
|
A |
9 |
2008 |
Amd.1 |
DMB AF RS & C |
|
08/04 |
08/07 |
09/02 |
09/10 |
S |
|
A |
9 |
2008 |
Amd.2 |
DMB FF |
|
08/10 |
09/02 |
09/07 |
10/01 |
S |
|
A |
10 |
200x |
Amd.1 |
VS AF RS & C |
|
08/04 |
08/07 |
09/04 |
09/10 |
S |
|
A |
11 |
200x |
Cor.1 |
(SVAF codec signalling) |
|
|
09/02 |
|
09/07 |
S |
|
A |
11 |
200x |
Amd.1 |
SVAF RS & C |
|
|
09/04 |
09/10 |
10/04 |
S |
|
A |
12 |
200x |
1st Ed. |
Interactive music AF |
|
08/01 |
09/02 |
09/07 |
10/01 |
S |
|
C |
4 |
200x |
Amd.1 |
RVC Conformance and RF |
|
08/04 |
09/02 |
09/07 |
10/01 |
V |
|
C |
4 |
200x |
Amd.2 |
RVC Tools for MP4 ASP, AVC HP and SVC |
|
|
09/10 |
10/04 |
10/10 |
V |
|
D |
1 |
200x |
Cor.2 |
|
|
|
09/02 |
|
09/07 |
A |
|
D |
1 |
200x |
Amd.2/Cor.1 |
|
|
|
09/02 |
|
09/07 |
A |
|
D |
2 |
200x |
1st Ed. |
SAOC |
|
07/10 |
08/04 |
09/07 |
10/01 |
A |
|
D |
3 |
200x |
1st Ed. |
USAC |
|
08/10 |
09/10 |
10/01 |
10/07 |
A |
|
M |
1 |
200x |
1st Ed |
Architecture and technologies |
08/04 |
08/07 |
09/02 |
09/07 |
10/01 |
S |
|
M |
2 |
200x |
1st Ed. |
API |
08/04 |
08/07 |
09/02 |
09/07 |
10/01 |
S |
|
M |
3 |
200x |
1st Ed. |
RS & C |
08/04 |
08/10 |
09/02 |
09/07 |
10/01 |
S |
|
M |
4 |
200x |
2nd Ed. |
MXM protocols |
|
|
09/02 |
09/07 |
10/01 |
S |
|
V |
1 |
200x |
1st Ed. |
Architecture |
08/10 |
09/02 |
09/07 |
09/10 |
10/04 |
S |
|
V |
2 |
200x |
1st Ed. |
Control information |
08/10 |
09/02 |
09/07 |
09/10 |
10/04 |
S |
|
V |
3 |
200x |
1st Ed |
Sensor information |
08/10 |
09/02 |
09/07 |
09/10 |
10/04 |
S |
|
V |
4 |
200x |
1st Ed. |
Avatar characteristics |
08/10 |
09/02 |
09/07 |
09/10 |
10/04 |
S |
|
U |
1 |
200x |
1st Ed. |
Package, delivery and presentation of widgets |
09/02 |
09/04 |
09/07 |
09/10 |
10/04 |
S |
|
U |
2 |
200x |
1st Ed. |
Widget communication |
09/02 |
09/04 |
09/07 |
09/10 |
10/04 |
S |
|
U |
3 |
200x |
1st Ed. |
Conformance and Reference Software |
09/02 |
09/04 |
09/07 |
09/10 |
10/04 |
S |
9 Organisation of this meeting
9.1 Tasks for subgroups
9.2 Joint meetings
10 WG management
10.1 Terms of reference
10.2 Officers
10.3 Editors
10.4 Liaisons
10.5 Responses to National Bodies
10.6 Work item assignment
10.7 Ad hoc groups
10.8 Asset management
10.8.1 Reference software
10.8.2 Conformance
10.8.3 Test material
10.8.4 URI
10.9 IPR management
10.10 Work plan and time line
11 Administrative matters
11.1 Schedule of future MPEG meetings
11.2 Promotional activities
12 Resolutions of this meeting
13 A.O.B.
14 Closing
¡¡
The 91st ISO/IEC JTC 1/SC 29/WG 11 Meeting
Kyoto, Japan, 2010-01-18/22
Logistic Information
n Meeting host
Information Processing Society of Japan/Information Technology Standards
Commission of Japan (IPSJ/ITSCJ)
[A standards organization accredited by Japanese Industrial Standards
Committee (JISC)]
n Meeting date
2010-01-18/22
(Ad hoc: 2010-01-16/17)
n Meeting venue
Kyoto Research Park (KRP)
Ø Address: Chudoji Minami-machi 134, shimogyo-ku, Kyoto 600-8813, Japan
Ø Tel : +81-75-322-7888
Ø Fax : +81-75-314-2968
Ø http://www.krp.co.jp/english/index.html
n Host contact
Ms. Mayumi Koike (Espalier inc.)
Ø mpegkyoto @ espalier.co.jp
Ø Tel: +81 78-855-8425
Ø Fax: +81 3-6368-6488
n Pre-registration to host
Delegates are requested to pre-register NO LATER THAN 2009-12-18.
Online registration: http://mpeg.espalier.co.jp/registration.html
n Facilities fee
Delegates are requested to contribute a Facilities fee of JPY 40,000 (approximately US$400) . Delegates who register after 2009-12-05 will be charged JPY 50,000.
The Facilities fee may be pre-paid by Visa or Master card . Alternatively, you may pay Japanese Yen (JPY) on site. Neither personal nor traveler's check is acceptable.
[Cancellation policy]
If cancellations are made on or before 2009-12-18, Facilities fee will be refunded. Please note that a handling charge of JPY 5,000 will be deducted prior to issuing the refund. All cancellations must be made via e-mail. Please send the cancellation notice to mpegkyoto @ espalier.co.jp. You will receive an e-mail confirmation of your cancellation. Cancellations made after 2009-12-18 as well as no-shows, are liable for the full Facilities fee.
The Facilities fee includes:
• meeting rooms with wireless Internet access, A/V equipment and power plugs
• two coffee breaks (at 10:30 and 15:30)
• registration and information desk
n Passport and VISA
Participants are advised to check regulations regarding passport, visa and particularly the time required to obtain a visa. If you need any documents for the acquisition of a visa, please contact Ms. Yukiko Ogura (ogura @ itscj.ipsj.or.jp), IPSJ/ITSCJ, as soon as possible.
The Ministry of Foreign Affairs of Japan: http://www.mofa.go.jp/j_info/visit/visa/index.html
n Hotel reservations
Contact point
JTB Western Japan Corp., MICE Center
the 91st ISO/IEC JTC 1/SC 29/WG 11 meeting Desk
Ø Tel: +81-6-6260-5076
Ø Fax: +81-6-6263-0717
Ø E-mail: westec_op5 @ jtb.jp
Ø Office hours: 9:30-17:30(weekdays only)
Accommodations
Following 7 hotels are blocked. Delegates are requested to book hotels online at https://amarys-jtb.jp/iso-iec-jtc1-sc29-wg11/.
In every room of all hotels, high speed LAN is available free of charge except for Kyoto Tokyu Hotel, where Internet connection is provided with charge of either 1,260 yen per 24 hrs or 100 yen per 10 mins. Please note that in order to make your hotel reservation, a full deposit will be necessary.
|
No. |
Hotel |
Room type |
Rates (JPY) |
|
1 |
Kyoto Tokyu Hotel
(Nearest hotel to KRP) |
Single |
10,500 |
|
Twin |
7,500 |
||
|
Twin (Single use) |
12,500 |
||
|
Double (Single use) |
12,500 |
||
|
2 |
Hotel Granvia Kyoto |
Twin |
13,650 |
|
Twin (Single use) |
25,200 |
||
|
3 |
Hotel Keihan Kyoto |
Single |
8,500 |
|
Twin |
6,500 |
||
|
Twin (Single use) |
13,000 |
||
|
4 |
Hotel Hokke Club Kyoto |
Single |
8,000 |
|
Twin |
7,000 |
||
|
Twin (Single use) |
12,000 |
||
|
5 |
APA Hotel Kyoto-Ekimae |
Single |
8,000 |
|
6 |
Aranvert Hotel Kyoto |
Single |
8,500 |
|
Twin |
7,500 |
||
|
Twin (Single use) |
11,000 |
||
|
7 |
Comfort Inn Kyoto Gojo |
Single |
6,300 through 7,600 |
Deadline of Hotel Reservation
The Deadline for reservation is at 2009-12-28 17:00 [Japan Standard Time GMT+9)]
Cancellation/Revision
Please revise and/or cancel your reservation online at
https://amarys-jtb.jp/iso-iec-jtc1-sc29-wg11/.
*In case of cancellation, your deposit will be refunded after deducting the
cancellation fees as follows.
*Please note that all refunds will be made after the meeting.
*Cancellation Fee when notice is given:
|
8 days or more days prior to the first night of stay |
No charge |
|
2 to 7 days before the first night of stay |
20% of daily room charge |
|
1 day before the first night of stay |
40% of daily room charge |
|
The first night of stay |
50% of daily room charge |
|
No notice given |
100% of daily room charge |

n Social event
To be held Wednesday, 20 January, at Kyoto Kokusai Hotel.
General information
n Where?
World Heritage City of Kyoto
n Access from Abroad


Fly to the Kansai International Airport (KIX) is the best
http://www.kansai-airport.or.jp/en/index.asp
http://wikitravel.org/en/Kansai_International_Airport
n Access from Kansai International Airport (KIX) to Kyoto
JR (Japan Railroad) Limited Express Train "Haruka"
Ø 3,490 Yen for reserved seat or 2,980 Yen for non-reserved (seat?)
Ø About 75 minutes from Kansai Airport Station to Kyoto station
Ø Departures every 30 minutes
Ø JR Kansai Airport Station is on the 2nd floor of the Airport Terminal
Ø http://www.kansai-airport.or.jp/en/access/train/index.htm
Airport Limousine Bus
Ø 2,300 Yen to Kyoto station
Ø About 105 ¨C 120 min. depending on road jamming condition
Ø Departures every 30 ¨C 60 min.
Ø Bus Terminal ¨C No. 8
http://www.kansai-airport.or.jp/en/access/bus/index.html
Shared Taxi "Sky Gate Shuttle" by MK Taxi Co.
Ø 3,500 Yen to Kyoto City (Airport terminal to your hotel)
Ø No charge for 1 suitcase and carry-on luggage
Ø (Additional 1,000 Yen if you have more than one large item)
Ø Max 9 passengers per shuttle, drop off by route sequence
Ø Reservation at least 2 days before is needed, either online or by phone
Ø Tel. +81-75-702-5489, open 8 AM to 9 PM in JST
Ø http://www.mk-group.co.jp/english/shuttle/index.htm
n If you fly to Narita International Airport (NRT)
Take JR Narita Express train (NEX) to Tokyo station
(3,140 Yen and about 60 min.), then,
Take JR Tokaido Shinkansen train ¡°Nozomi¡± from Tokyo to Kyoto station
(13,720 Yen for reserved seat and about 140 min).
n Access to the KRP from your hotel
Ø From Kyoto Tokyu Hotel
15 min. walk or bus (2 stops) or taxi for 2 min.
Ø From the hotels near Kyoto station
Take JR Sagano (San-in) line local train (which stops every station) from Kyoto station to Tambaguchi station (first stop from Kyoto station, 4 min., 140 Yen) and walk 5 min.
Note: Express or Rapid train does not stop at Tambaguchi station
Or take taxi for 10 min. from your hotel
Inside Map of Kyoto Station

JR Sagano Line is track 32 and 33, Express Haruka to Kansai Airport is track 30.


JR Sagano line time table at Kyoto station

Get off at Tambaguchi station (first stop from Kyoto station). Route map to the KRP is on the high wall of stairway as follows. Exit the station and turn to the left, the KRP is about a 5 minute walk.

n Kansai Thru Pass
If you prefer cheaper way to get to and travel around Kyoto, you can use
KANSAI THRU PASS, which covers subways and railroads (except JR lines) in
Kansai area, including Osaka, Hyogo, Nara Prefectures.
For details, see below link:
http://www.accessjapan.co.uk/newlookfactfile/kansaithrupass.html
n Location of the KRP

n Site map of the KRP

Please visit Bldg4 -where convenience store (Seven-Eleven) is located - first when you come to KRP. Registration desk will be located at the B1 floor of the Bldg4. (Bldg4 is shown in the below picture.)
n Meeting Rooms of KRP
n Facilities of KRP
Registration desk will be located at the B1 floor of the Bldg4
Every meeting room has a PC projector
Wireless LAN will be provided in and around meeting areas (100Mbit/sec Internet link)
Every room will have an internal telephone
n Restaurants, stores, and food stands near the KRP

Restaurant PATIO in the KRP Bldg 1
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Restaurants and food shops near the KRP
Lunch Box Stand-1: 300 Yen Lunch Box Stand-2: 380 Yen
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Sushi Bar (Rotation Style), Starbucks Drive-thru & Japanese Restaurant
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Convenience store (Seven-Eleven)
Located in the KRP bldg4. The store sells sandwiches, lunch boxes, mineral water, tea, juice, beer, liquor, stationary goods, umbrellas, cigarettes, etc.
n Time
Local Time is UTC/GMT + 9:00
n Climate and Weather
Average temperature: 14.9C (58.8 F). Record high 33.5C (92.3 F); record low: -4 C (24.8 F). Rainfall: 545.4mm. Kyoto, nestled amid rolling mountains, has a relatively mild climate.
Winter: Winters can be cold, so dress appropriately. Wear an overcoat or jacket outside.
|
Season |
Average |
Temperature |
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High |
Low |
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Winter |
8 cm / 3inc |
10C / 50F |
1C / 34F |
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n Currency, Credit card and Bank
Local currency is the Yen (JPY). Coins are available in denominations of 1, 5, 10, 50, 100 and 500 yen and bank notes in denominations of 1,000, 2,000, 5,000 and 10,000 yen.
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You can buy yen at foreign exchange banks and other authorized money exchangers. At the international airports, currency exchange counters are usually open during normal office hours. Banking hours are Monday through Friday, 9:00AM - 3:00PM. Banks and post office are closed on Saturdays and Sundays.
MasterCard and Visa are the credit cards most widely accepted followed by American Express. Foreign credit, debit and cash cards can be used at Post Office and Seven Bank ATMs throughout Japan. Post offices where this service is available display stickers indicating which cards are accepted. Cards from the Cirrus, Plus, Maestro and Visa Electron networks can be used. Accepted credit cards include Visa, MasterCard, American Express and Diners Club.
n Tipping
Tipping is not generally expected in Japan. When applicable, tips are included in the bill as a service charge.
n Electricity and Power Plug
Electricity in Kyoto is 100 volts 60 hertz
Power plug with 2 flat parallel pins, or blades, is used in Japan
Note: USA type 3-pin plug can not be used since most of Japanese outlet sockets do not have a hole for ground pin.
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n Telephone Plug and Jack
RJ11 modular plug & jack are commonly used in Japan
There may be connection problem if hotel PBX has different wiring connection to hotel unique telephone set
n Mobile Phone
GSM type mobile phone can not be used in Japan
Ask your mobile phone company if your mobile phone can be used in Japan
n Sightseeing tours
You can make reservations of day time and/or evening time tour courses with English speaking tour guide at the JTB travel desk in the KRP on 18 and 19 January
See menu at the ¡°Guided Tours¡± and ¡°From KYOTO¡± in http://www.jtbgmt.com/sunrisetour/te7/
n Useful links
http://www.kyoto.travel/ (official)
http://www.pref.kyoto.jp/visitkyoto/en/theme/sites/shrines/w_heritage/
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